First email: a link to a documentary on the horrors of the sex slave trade in Bulgaria. This came courtesy of my progenitor. I may have cried for Slavic hookers everywhere.
Second email: Amber Heard accepted my friend request on Facebook. Very big news. As an actress she reminds me of a tan, sultry, ridiculous attractive, nowhere near as talented version of (insert name of unattractive yet talented actress).
Naturally, I’m off to deconstruct the deeper meaning of the morning’s first emails. I quickly lose interest. Instead of analyzing and interpreting their latent significance, I decide to check out Amber Heard’s Facebook pictures.
Surprisingly, her pictures are markedly similar to every other girl I know. In fact, she looks like about 31,458 girls who I “studied” journalism with at the illustrious Arizona State University.
I’m in the depths of some profile picture, which is a passive political statement on same sex marriage when it hits me. I’m struck with pangs of guilt. She’s vaguely Eastern European looking, not particularly Slavic, but Croatians can have a pretty diverse look… Naturally, I have to wonder:
What if Amber Heard is a victim of the sex slave trade? Sold to CAA by some Yugoslavian fleshmonger during the Bosnian War? What if, I say!
Recently, I forfeited USD to see The Rum Diary. Which can only mean one thing: I may have directly contributed to the Eastern European sex slave economy. South Slavic pimps get rich on my dime while someone’s daughter shakes that ass for the 99%.
With nowhere to run, I seek solace in literature. I stumble upon a conversation between Richard Tull and Gwynn Barry. They’re talking about pornography. Barry, the wildly successful novelist disagrees with it.
Barry: I would never watch that stuff
Barry: … Well, for one thing it objectifies women. It turns them into objects.
Tull: It’d be a handy way for you to check on changing sexual styles. Whither fellatio, and so on. Actually you can never see anything because there’s always some wine bottle or flower bowl in the way. It turns women into objects. Such as silicone.
Barry: What’s the matter with you?
No one wants to be Richard Tull.
No one likes him. No one wants to identify with him. Yet here I am. Here I am, financing women like Amber Heard to be hustled from the Balkans and subjected to scripted intercourse with pirates twice her age and Aaron Eckhart’s freshly waxed chest.
It’s just not fair. It’s not fair to Amber and it’s not fair to me. I’ve been duped. No one would believe me. It wouldn’t hold up in a court of law.
Any day now, I expect to be shackled then publicly tarred and feathered at Hollywood and Wilcox. Shortly thereafter, I’ll be guillotined at the jail where Lindsey Lohan has thrice stayed long enough to be photographed.
But not me. There will be no pictures. Just a slow, painful, and public death. A death fit for the man who financed Amber Heard’s kidnapping and encouraged her sale her into scripted orgasms. I’ll remain taciturn.
I regret it. I really do.
Amber, if you’re reading this, I will totally understand if you decide to defriend me. But you have to admit, we had a good run. You were great. You really were.
 What does it all mean? Do my forebears know something I don’t? Am I genetically predisposed to frequenting hookers? Or turning tricks? Or sympathizing with those who do?
 My first mistake. I know.
 The Information, Martin Amis