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FLYING PIGS

There’s a bar just off of PCH where for $2 a bag you can throw peanut shells on the floor and drink Bud Light with millionaires. In front of this bar is a parking lot with a surf spot named after the drinking hole. In that parking lot I met Max Rose.

Max and I had spent the morning on adjacent peaks, trading mushy three-footers with every surfer from 24th street to Yorba Linda. In the parking lot, we stood side-by-side as the sun warmed our extremities. I drank coffee that was three hours old. Max’s Westfalia was adorned with two For Sale signs. There was a weathered parking ticket on his dashboard.

“It’s not true,” he said. “Despite what they say.” He had feathered brown hair and a beard that was streaked with gray.

“What’s that?”

“Pigs really can fly,” he nodded at a police helicopter as it flew overhead.

I laughed and he figured me for a kindred spirit. The two of us in front of our economical cars, surrounded by new S.U.V.s with stickers about deporting our terrorist, illegal alien, commie, Allah-worshiping commander-in-chief. Maybe we were.

“It’s the sound. I’ll never forget that sound,” he said.

“Oh yeah?”

“Shit yeah. It’s like those guys who went to Nam. They never forget what a military chopper sounds like.” He looked up at the sky. “I still cringe when I hear a flying pig.”

I nodded.

“I’ve been chased.” He stroked his beard. “In Texas too. A doctor’s son had a sports car—two seater that he didn’t want to pay for anymore—so I took his car. I took his Harley too.”

I slipped out of my neoprene suit and he moved closer. There was a tattoo of an indigenous woman on his forearm and whisky on his breath.

“He paid me and a friend of mine a hundred bucks. We took his car out to the middle of nowhere. Mind you, this was the early seventies. Such a thing existed. I was twenty-one, twenty-two years old. ”

We stared out at the Pacific and watched it heave and toss those fortunate enough to afford a morning beating.

“Went to a field next to a lake. This lake—hippies used to skinny dip in it. Nothing around. Just fields. We parked the car and covered it with gasoline. Fifteen pace circle around that sports car—a puddle of gas. Course we were stoned and drunk as hell at the time. I threw a match—biggest fire you’ve ever seen.”

Wildfires in California kill eight people and burn over one million acres every summer, but for the sake of conversation, I nodded. I understood these dramatic parking lot tactics. There are no lies in the parking lot. It’s a fact: the surf was better earlier. It was better before you got here.

“So I start kicking the Harley, trying get that thing started. I’m kicking and kicking it. A crazy old hillbilly walks out with a shot gun and he yells, ‘Everybody okay?’ So I tell him, ‘Just fine.’ Mind you there’s a fucking fire. So I look at my friend and I’m like ‘We gotta get the fuck outta here.’ We didn’t even know there were houses out there. I mean, there weren’t—except a couple. Real spread out. Anyway, I’m kicking and kicking the bike and I end up kicking off the carburetor!” His eyes light up.

I have no idea what a carburetor is and apparently it showed.

“It’s on the side of the bike. I kicked it right off.”

“Oh, man. Crazy.”

“So I kick off the carburetor and this hillybilly with a shotgun is coming at us and we hear fire engines screaming. I’m like, ‘They’re coming for us.’ And the hillbilly is like, ‘What’s going on out here?’ so I look at the hillbilly and I’m like, ‘Our friend’s down by the fire. We gotta check on him.’ So we ran. All night,” he pointed to the long-since vanished police helicopter, “they chased us. We ran through the woods in the pitch black. I threw up eleven times that night. Eleven.”

“Wow.”

“We had to get back to town. It was getting light. It wasn’t daybreak yet but it was close. We found the road. I say to my friend, ‘They’re looking for two guys so you hide in the bushes. If they get one of us. They get one of us but we gotta get back to town.’ So I stood on the side of the road, knowing that if a pig drove by, it was over. We were going to jail. Texas jail. This was outside of Austin. But what do you know?” He grinned.

I didn’t know.

“Long haired freak comes driving by. He pulls over and is like, ‘Where you headed?’ and I said town. He was just out in the middle of nowhere driving around. Can you believe that? I ran all night and some long haired freak, just going for a drive saves my ass!”

“Wild.”

“Doctor’s son turned himself in. Pussy.”

“Really?”

“He just had to pay for the car. Or his dad did. He was rich. He never turned us in though. He just said he met two guys at the bar and they did everything. Never mentioned our names.”

“So you made it out alive.”

“That time,” he said. We stared out and watched wave after wave as teenagers and baby boomers shoulder-hopped one another.

“I’m Max Rose by the way.” We shook hands.

He looked at me and I looked at him. I didn’t know if he was sizing me up or if long stares just come with functioning lunacy.

“You want some,” he said, throwing back a drink he did not have.

I’m no fool. A man tells you a criminal tale. He tells you his acid flashbacks come in the form of helicopter bladeslap, which are over one’s head about forty-seven times a day in Southern California. You tell the man, yes. Hell yes. But I did not say yes because I am, in fact, a fool.

“I would, but I’ve gotta drive.”

He did a quick survey of the parking lot in front of the surf spot named after the bar with peanut shells on the floor. “Well shit, we all gotta drive.”

And of course, he was right.

He opened the door of his beige Westfalia. It was lined with long boards, newspaper, and a pillow. He generously poured brown liquor into a coffee mug that read: Bienvenidos a Sinaloa!!!” The mug wasn’t exactly sanitary, but the stuff he poured looked strong enough to kill an elephant. I took a pull, passed it back, and he took a pull.

“I wish I didn’t have to go to work,” I said.

“You stay here long enough and you won’t have to.”

We stared over Priuses, late model SUVs, and power-walking moms at the ocean. Waves lapped in off of the jetty. I finished off the crusty mug of whisky

He eyed the empty mug then patted me on the back. “Move along soldier. I can take it from here.”

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Obstacle Allusions: A Pop-Up Gallery

Lately, I’ve been sowing the seeds for my first post-apocalypse gallery showing. The focus will be walls:

The Great Wall of China

The Berlin Wall

The White Picket Fence

The Barbed Wire Keeping L.A. Residents Away from City Hall

The show will focus on the forth-coming present, which I’ve recently christened: The Future-Present. It’s basically the opposite of everything anyone in pre-apocalyptic times ever did.

GREAT WALL: I’m no history buff, but from what I understand, if you died while building the Great Wall of China, they tossed your corpse in. It was sort of a scattering of ashes, only instead of drizzling cigarette butts into the Pacific, they tossed your rigor mortis ass in a hole and saved on concrete.

I’m a purist. I have a vision. I plan on having a few actors play dead Chinese scattered about my show. (In order to meet the SAG Ultra Low Budget guidelines I’ll most likely have to throw in some transgender Filipinos and a handful of black women) I know, I know, it’s not historically accurate but I’m not trying to be historically accurate. Mostly, I am concerned with being politically correct. Let there be black chicks. Let there be tan and hairless manginas. Maybe I’ll throw in a Hasidim. Who knows?)

ICH BIN EIN BERLINER: I am not afraid of being obvious. When it comes to the Berlin Wall, I shan’t go abstract. In fact, my approach is anti-abstract which I am tentatively calling Tangiblism.

My Tangiblist exhibit will consist of a David Hasselhoff mash-ups blasting from an Ipod hooked up to a Bose sound system that looks like the graffiti-marred wall. The system will also double as an espresso bar. (Standing room only. No wi-fi. ) As an austerity measure, Greeks will not be allowed entrance.

THE REAL HOUSEWIVES OF CALABASAS: The white picket fence will play on the classic American relationship between suburban housewives. One will be buckled over the fence. The other will be giving thy neighbor a proper ravishing. The neighbor manning the rear will be adorned with a decadent eight inches of ‘do unto thy neighbor as’… etc. Did you know Calabasas means pumpkin?

CROWN JEWEL OF SKID ROW: My exhibit will be a print-out of directions from the Valley and the Westside to City Hall (which is located in downtown.)

It’s not hard to miss. It’s one of four buildings downtown that hasn’t been lined with transients year-round since the mid-1970s. Maybe that’s because it’s wrapped in barbed wire. It’s conveniently located across the street from the LAPD headquarters, which is somewhat notable as it was built in 2009 for $440 million USD.

At the reception, everyone will be given a chance to speak, to respond, to criticize, to critique…

As long as you can prove one of your ancestors is buried in a wall in China.

I will jot meticulous notes, if you’ve driven David Hasselhoff to an AA meeting.

I will hang on your every word if there are attractive and promiscuous lesbians in your suburban neighborhood who blast their exploits via Instagram.

Lastly, upon my favorite masseuse’s grave, I swear to memorize everything you have to say about #Occupy once you’ve actually seen what you’ve been pontificating about since September.

Until then, I wait with bated breath for the wisdom that you may spew.

————————————————————————————————–

Obstacle Allusions is set to open shortly after the apocalypse. Currently, we’re in the funding stages of this project so we ask that you please donate whatever money you were planning to spend on gas, laser hair removal, imported beer, rhinoplasty, contraceptives, education, coffee, strippers, electricity, Italian flat leaf parsley, terrorism, champagne, manicures, Thai/Swedish hand jobs, and gruyere, to the “Arts”, namely ours.

Please donate soon! If we don’t raise $13.8 trillion by the apocalypse we won’t see a dime of your contributions.

Direct any questions to ExchangingPleasantries@gmail.com

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Instagram Epigram: This Is Not A Test

Before dining, we snap not-quite-candid shots of our entree, making sure to highlight the jalapeno-pineapple compote. We caps lock and conclude: Yum.

At the beach, we prop up lathered knees and snap photos in front of the salt water backdrop before we dare dive in. We call this one: Mental Health Day.

Last night, I photographed a dead guy.[1] As of an hour ago, seventy-two people had “liked” it on Instagram.

I don’t like to make excuses, but I will. It’s important to understand there were certain factors at play: youth, narcissism, Attention Deficit Disorder. There was something going on with the moon. It was especially bright. There was some science behind it, but I didn’t want to get involved. With the science that is; the moon on the other hand…

Predictably and unremarkably, I got involved with the moon. But eventually, I had to walk home.

On my walk I saw the words, “This Is Not A Test” scrawled on a concrete wall. Beneath the words, a man lay parallel to the sidewalk. I spun around expecting to see an administrator or an audience. I found neither.

The man was wrapped in carpet from the waist up. I couldn’t see his face. Like so many of my peers, there is an unbridgeable chasm between my sense of self and reality. Because of this I decided to take a picture. It would be a memento. It would be construed as deep and conceptual. Teenagers and tastemakers would champion it. Art industry philanthropists—particularly Berliners—would fete me.

After much fame and fortune I would move to academia. I would pontificate about the importance of Shakespeare’s Sonnets[2] and I would eventually renounce the picture that led to the career that bought my home in the Palisades—now that it was paid for in full.

My canvas: A dead man under a freeway overpass. Someone else’s thought “This is not a test.” My announced confirmation.

I walked into the exhibit that I had hoped to simulate. It was not a test, but I still managed to fail. I snapped a picture of a dead man then walked home. I whistled as I walked.

This morning at the coffee shop, I learned a body had been discovered under a nearby freeway overpass. After half a cup of coffee, I thought I better head back to the underpass. Fame and fortune and Instagram followers beckoned. If there was a crime scene—specifically a chalk outline of the corpse—that would make a hell of a picture.

-The Neapolitan Mastiff


[1] The characters and events in this are fictitious. Any similarities to real persons, living or dead, is coincidental and not intended.

[2] Shall I compare thee to June Gloom?

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Filed under De La Moda, Staring Into A Cobalt Pool