Category Archives: unemployment

Car Talk #2

cdtI once had lunch in La Mancha with a man named Victor. We drank wine, ate paella, and two hours later I watched him kill a bull with a sword. I left Spain shortly after that, but not before he gave me the slain bull’s ear. It was bigger than my hand. He wanted to make sure I didn’t forget him.

I’ve never killed a bull, but I have helmed a 1994 Camry that bucked with the same force as those bulls that Canadians on amphetamines ride at rodeos. Unlike those canucks, I don’t own a truck. Or a horse, so I had to get my bucking hooptie fixed.

The time had come to retire my largely incompetent mechanic’s coveralls. Sure I never understood a word of his broken English. And yes, he cost me thousands of dollars and tens of hours in his incompetence. But we had fun. He’d grumble something presumably related to my spark plugs or Soviet Armenia and then he’d take my credit card for a joy ride. I’d leave with a handwritten receipt, the Check Engine light still glowing.

The new shop I moved on to is very corporate. They keep the mechanics in the garage and they have girls working at bistro-style check-in tables. The girls are nice, but instead of asking about my car, or its problems, we go into their life story: their fiance’s job, their gym routine, the pros and cons of fish oil. For a moment, it feels as if I’m stuck on an airplane next to a nice lady who is probably flying to Sacramento or Santa Fe. Before I leave she says, “Well, it’s a good thing you did stop bartending, because you aren’t always going to be pretty.” She takes my key and she promises to call.

I stop by after work to have them swipe my card and retrieve my car. The girls smile and say, “If there are any problems, just drop it off again.”

I do. Every morning. For the next five days. And each day they call me to say they’ve spotted the elusive problem and for a nominal fee they’ll address it. I agree.

Each day I return to work, several hundred dollars poorer than the day before. After a week of hearing about my automotive woes, my co-worker says, “You’re familiar with the definition of insanity, right?”

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There’s a War on Women and Apparently I’m Not Helping

PG gun

I’m naked. I’m also standing in my kitchen, eating a chicken taco at three in the afternoon when I hear someone bang on my front door. She shouts through the window, “There’s a war on women!”

I hear “war” and I rush to the door – no time for clothes. I should mention, I’m not naked by accident. No, I’m unemployed. Which means I spend about 75% of the day naked as the day I was born, less the placenta and blood and whatever else comes on a newborn.

I open the door and standing before me is a girl with a clipboard. She’s wearing a purple shirt that reads: PLANNED PARENTHOOD.

yo apoyo

“Tell me more about this war. What can I do?” I ask.

She tells me that our male driven society has objectified women since the beginning of time. Sure, for a while there women had some rights and good things were happening, but we’ve regressed and now we must stand up against very old and largely biologically illiterate men who want to repossess women’s bodies as if they were defaulted on mortgages.

“I’m not sure I follow the analogy.”

“Forget the analogy,” she says. “I was improvising. From now on I’ll stick to the script.”

Her ability to maintain eye contact is incredible. For a second there, I forget that I’m exposed and simply enjoy a breeze I’ve seldom felt.

“What can I do? Volunteer? Sign a petition? I never sign anything, but I love your cause. In fact, I’ve spent most of my adult life doing what William Faulkner referred to as killing my little darlings. Of course he was talking about something else entirely, but for the sake of this conversation…”

“That’s perverse and offensive,” she says.

“Hey, listen, I’m just trying to level with you.”

“By level, do you mean drop down to my level because I’m a woman?”

“It’s just an expression, but for your sake, no. I’m trying to reach the great height that you reside at with all other women so I can help your cause.”

“We are not victims,” she says, pointing a finger at my chest.

“Never said you were. Like I said, big fan. Would love to help.” I reach for her clipboard, “Where do I sign?”

“We’re collecting donations today. There’s nothing to sign. War is expensive. Ask the President.”

“Ah, donations,” I slap my own ass, where my wallet would be if I was wearing pants. “See while I’d love to help you, you’ll notice that I’m home on a Wednesday at three o’clock. I’m here because I don’t have a job. Ergo, I don’t have any money to contribute.”

“That’s a lot of Latin for a guy who doesn’t have a job.”

“It was one word,” I said. “I’m not even sure if I used it correctly.”

She steps up and we’re toe-to-toe. The contact is slightly unsettling and if she’s not eighteen, probably illegal. “You fucking LINO.”

“Lino?”

“Liberal in name only,” she scoffs. “I know your type. I can spot you from a mile away. You hate women, ethnically diverse people, the continent of Africa. You even have the gall to hate poor people from your glorious mansion up in the hills.”

“Mansion? This place is like 500 square feet, and it’s a rental. And I’m unemployed. My straights are dire. I’m living in squalor. Want to see my bank account?”

“I’ve wasted enough time here. I don’t want anymore of your Hobby Lobby breath on me.” She walks away and I remember I’m naked so I stay put.

But I call after her, “Okay, not part of the Hobby Lobby. That said, still a big fan of your organization!”

“Fuck you, Johnny Tea Party. You nephew of some oil baron who hunts gay people for sport!”

“My uncle is gay.”

“Sure he is.” She spits on my glorious 500 square foot, rental mansion in the hills then skips off, probably back to the eleventh grade.

“Have a great day!”

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Life After TV

homeless at home

Today marks the beginning of a new era. I’m preparing to enter the next phase of my life as a member of Los Angeles’ transient community.

Four months ago, the show that I was working on was canceled. In the months that followed, I quickly spent all of my money shooting a short film that risked the lives of five or six of my friends plus several hundred strangers who were driving north and/or south on Highway 1 near Big Sur in mid-May.

Then one day, about two months ago I was in the red. I took my dog for a walk, applied for four hundred jobs and then it was June. I was still in the red. I took my dog for another walk, went on three hundred job interviews, and then it was July. That was Tuesday.

But the past is the past and what’s the point in dwelling? Insert quote about being fiscally responsible and thinking ahead and not being any happier, but being generally safer and more stable if you do. C’est la whatever, bruh.

In preparation for my new life, I’ve been looking at living spaces. In a lot of ways it’s similar to apartment hunting: identify a neighborhood, list the things you must have (parking, on-site laundry, proximity to grocery stores, gym, etc) and then drive by at night to see if it’s as nice as it was during the day.

When you’re looking at outdoor living spaces a few obvious places come to mind: under freeway overpasses, Skid Row, Cahuenga Boulevard, industrial side streets, shrubbery off of the freeway. I’ve decided I don’t really have the heroin problem it takes to live on Skid Row, and I’m too old and not punk enough to join the Hollywood homeless, so I’m basically limited to living near the freeway in a bush, or in some abandoned building in the warehouse district that doubles as a brothel/stash house. Now that I’ve identified the area, it’s time to consider the things I can’t live without.

Silver Lake Youth Hostel

Ideally, I’d like to be close to a center of commerce so I have a short commute to where I’ll do my panhandling. Secondly, I’d like to be close to the L.A. River so I’ll have access to some wild life and a place to bathe on a regular basis even if the water is only a couple inches deep.

Since I’ve never been much of a camper or an outdoors person, in preparation for my life outside I plan on buying everything I’ll need to live comfortably under an overpass near the L.A. River (so far Glendale Boulevard and Fletcher Boulevard bridging Silver Lake to Atwater are my top contenders). “Everything” includes a 16 person tent because I like my leg room, a gun because I’m scared of raccoons, five boxes of Uncrustables because their life expectancy is longer than mine, and a gym membership because just because I’ll be homeless doesn’t mean I am going to become a lazy, out-of-shape fuck, too.

In a lot of ways, this is like when a doctor says, “You’re dying. Go home and get your affairs in order.”

Getting my affairs in order looks like this: designing my panhandling signs so I’ll be able to compete in the cutthroat climate of trying to get people to give me money.

Design

Getting a haircut.

Haircut

Breaking the news to my fiancée that we’re going to be in a long distance relationship from now on: her up in the hills, me down by the river drinking prescription cough syrup and fishing for alligators.

fishing on actavis

Once I’ve done all of that, I think I’ll finally be able to focus on the important things in life. I’ll get to be one of those people who is like, “yeah man, one day I was just like, what am I doing with all these material things? This isn’t how humans are supposed to live. So I just gave everything up and now I only have what I need on a daily basis. A toothbrush, an air guitar and my integrity.”

And it’s not like I’m just going to fall off the radar. It’s not like I’m moving to Humboldt County and giving it all up. No, I’ll still be in L.A. I’m just adjusting my lifestyle to my cash flow. So if you’re ever down by the river, don’t be a stranger. Come say hey!

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Enterprise-Rent-A-Car and the Gotye Conspiracy Theory

Van Steez

I’m answering questions, checking boxes, wondering why I’m renting a fifteen passenger van while simultaneously realizing… I don’t need a fifteen passenger van. Then Ray, employee-of-the-month Ray, slaps down about fifty, maybe a hundred pages that need to be signed and initialed.

Ray looks like a pock-faced Hugh Jackman with a really bad sunburn. He’s wearing a crispy Van Huesen wrinkle-free shirt and what I can only assume are wrinkle-free khakis. “Hey,” he says, “you listen to Gotye?”

And I’m like, “No, bro. What is this—2012?” Actually, I just say, “No.”

“Good. Because you know he stole that song, right?”

Dutch Recreation

“What?” I look up from my initialing and signing and Ray points to a box that’s both highlighted and marked with an X. “That one’s supposed to be a signature and it looks like you initialed.”

“Oh,” I add a few more letters, some of which may not even be in my name.

“Haha. But who am I? The John Hancock Nazi?”

“I don’t know what that means,” I say.

Gotye Apples

He thinks that’s hilarious, so I smile the way you would smile if you were biting down on a metal spoon. He turns around, then turns back to me and in a voice that’s all nose and fingernails on a chalkboard, he sings, “You remind me of a girl… that I… once knew.”

My hair is kind of long. Even with a beard, Griselda at CVS will occasionally call me ma’am.  So I respond cordially. I say, “Good to know.”

“No. Not good know!” Ray smashes his fist on the counter, “Usher!”

Usher Neon

Ray grabs me by the shirt and pulls me in like he’s going to tell me he loves me. Instead he belts out, “SOMEBODY!” and a little bit softer now, “that I used to know,” and a shitload louder now, “SOMEBODY! Now you’re just somebody that I used to know!”

Ray lets me go. He actually pushes me away and says, “Tell me he didn’t rip off those lyrics from Usher!”

“I’m really not sure. Do they have Usher in New Zealand?”

Beads of sweat fall from his nose.  “This is a joke to you? This is copyright infringement. This is some Kiwi-foreign fuck infringing upon Usher’s creative content. Where’s your sense of loyalty? Patriotism?”

“Where it’s always been—abysmally low, but even so, I’m sure Usher’s legal team is on it.”

Usher

Ray looks at me a long time, then he fires a snot rocket into his palm, and wipes it on his wrinkle-free uniform. “Yeah, maybe.” He pulls the paperwork away from me and he says, “So what do you need a this big ass van for anyway?”

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Soviet Serj and the Wheel of Misfortune!

Serj in Action

Serj charges anywhere from $200 to $1,200 for an oil change.

It’s not random though. He has a system. So when I pull up to the shop, I expect the same treatment. It’s a two-stall garage. In one, he parks his cherry 1963 Mustang. The other stall is, as it always is, empty.

I call out, “Hey Serj, can I get an oil change?” Serj is about sixty-years-old and mostly mustache, but I still wouldn’t mess with him. As I idle in front of the garage, he polishes his fingernails on his mustache and squints at me. “An oil change,” I say again, and then after a good bit of sizing up me and my car, he recognizes me. I am, of course, his only customer.

Serj the Tank

Serj asks if I’m going to stick around while he changes my oil, but Jiffy Lube, this place ain’t. There’s no lobby, no stale coffee, no TV playing TMZ. Serj knows this and I know this, so I decide to give him his space. He’s pretty quick anyway. There’s not much to do when it comes to my car. So I bid Serj adieu, planning to kill 30 minutes attempting to walk to the next sign of civilization.

Serj goes back to his office where there are three black office chairs, a computer that he’s never turned on, sugar cookies from Ralph’s, a vase of walnuts (a symbol of good luck for former Soviet mechanics) and the Wheel of Misfortune.

Under the hood

The Wheel of Misfortune is lined with all your basics for a superstitious and fatalistic mechanic. Some of the categories are: New Timing Belt, Transmission Leak, Broken Catalytic Converter, etc. Of course on the low end, there are things like: Replace Brake Pads and even, or so I’m told, a straight up $45 oil change. But that’s like the fucking unicorn of the Wheel of Misfortune. That’s the grand prize. That’s the mythical beast. That’s Global Warming in 2006.

Today when I return, Serj is eating grapes and watching the traffic go by. Because Serj works all day with wrenches and pencils, I’m fairly certain he only eats with his hands. To ask a man who makes his living with tools to use utensils at the end of the day would be totally inhumane. It would be like asking a police officer, who has carried a gun all day, to then come home and murder his dinner. You just don’t do it. That’s why God invented Trader Joe’s and Seamless.

We stand there in silence before he asks, “How long have you had this car?” Serj always opens with this question when I return to pick up my car. I learned long ago that there’s no right answer, so today I think long and not very hard before saying, “Four years.”

He grumbles, as he always does. My answer both disappoints him and confirms exactly what he was thinking. He tells me in no uncertain terms that if I don’t do something about one of the things that’s under the hood of my car that has something to do with how it runs it’s going to cost me tens of thousands of dollars and maybe the lives of innocent women and children.

Innocent Women and Children

I exhale. I’ve gotta think about this. Serj encourages me to take my time; all the time I need. Of course, he’s closing in five minutes because, well, once your only customer has already stopped by, what’s the point of staying open?

Serj can see I’m not sure so he offers to pop my hood and show me exactly what he’s talking about. With one hand he holds up the hood and with the other he points while words sputter out from under his mustache and into the abyss that is my knowledge of cars. I nod my head very seriously. I notice there are several things under the hood that are various shapes and colors. Some appear to be metal, others rubber. I know that African warlords prefer Toyotas, but Serj isn’t interested in what I have to say.

Serj closes my hood. “How did the oil change go?” I ask. He shrugs and leads me back to his office where I can see the Wheel of Misfortune resting on: Replace Spark Plugs.

“Well,” I say, “I guess it’s gotta be done.” Serj nods and I hand him my credit card. He runs it for $784.93. I sign his copy, then he hands me a piece of paper where he’s scribbled something, in maybe Cyrillic, along with some numbers. It’s about the size of a post-it. We shake hands and I thank Serj for his time and his service both to myself and my car, but also to the community. “Yeah, yeah, yeah,” he says, shooing me away, “see you next week.”

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I’m on Crenshaw Boulevard and no one is reading Proust


The long ZZZ

Don’t I ever do anything but stare longingly at the 405 carpool lane, I thought, as I stared longingly at the 405 carpool lane.

As if the thousands of brake lights flashing in front of me wasn’t a clear enough indicator, I peered deep into my phone for confirmation. Google Traffic was a river of red dotted streaks where there used to be freeways. I had time to kill. I decided to sing the only Christmas song I could remember.

“On Denver, on Dover, on Dubai and Blitzen. On Helsinki, Reykjavik, strippers and vixens…”

And so the song went as I went from the 405 to the 10 East.

I exited on Crenshaw Boulevard. I drove south again. South toward South Central Los Angeles.

South Central Los Angeles: once home to African American Males With Attitude (Or A.A.M.W.A.). Now home to Central American immigrants, Kendric Lamar, and two lesbian poetesses who just want to be left alone.

I spotted a postal employee and wondered whether he had read Chuck B.’s novel on being a man of the post in Los Angeles.

USPS

I leaned back my seat. When in Rome… I was practically supine, leaving what happened in front of my car to fate. Fate, I laughed to myself. I was driving along Crenshaw Boulevard.

In these types of neighborhoods, instead of having a Starbucks on every corner, there’s a liquor store. Instead of people standing outside texting or pretending to read Proust, people are talking, and they’re talking loudly. Almost all of them are talking to themselves.

NoProust

But I had a job to do. I turned right off of Jefferson and headed south. I drove very slowly so as to not miss anything such as: the man selling vacuum cleaners on a basketball court or the gentlemen wrapping tin foil around street lights.

I pulled up to the address I’d been given. It looked like all the other houses on the street: impenetrable. There was a fence and about ten signs that warned of a malicious, but yet unseen dog that would kill if push came to trespass.

Typical home south of the 10

The door opened. A Hispanic woman in either her thirties or seventies opened one door then another and then another. She peeked her head out, store-bought blonde, and asked me if I was here about “the drapes.”

The meaning of drapes was seemingly endless, but I surmised, in this instance, drapes was likely code for either cocaine, heroin, bath salts, speed, crank, meth, immigrant sex slaves, locally-produced sex slaves, “hot” iPhones/iPads/MacBooks, pirated DVDs featuring Catherine Heigl and Ashton Kutcher or Chinese Democracy—the album.

“Yeah, I’m here for the drapes.”

“Come in.”

“Um, is there a dog I should be aware of?”

She laughed, waved me in. I gulped then sprinted all seven steps to the door. Once I got there I didn’t feel much better.

It was a mini-factory within a house. It looked like the inside of a meth addict’s mouth. And I was inside, which pretty much meant I was making-out with a meth addict. (Not to make light of meth addiction or the destruction it causes to mouths, but I’m trying to make it clear that this wasn’t Versailles, yo.)

I handed the woman a blank check for $500 dollars.

“Cash?”

“I don’t have any cash,” I said. “Sorry.”

With an acrylic nail she tapped the trash bag on the table. The table was tall and crowded with rolls of material and carpet. Across the table, a few Hispanic women pretended to not notice that I was hyperventilating. I was hyperventilating because while all this was going on I was bracing myself for the moment when I would be clubbed over the head with a drain pipe from some abandoned home which I would likely wake up in—if I ever woke up—from my forthcoming bludgeoning.

“And that one, too.”

Three little boys, maybe seven years old, tossed another bag on to the table.

“O.K.” she said.

“O.K.?”

She nodded. I threw the bags over my shoulder and made for the door. I figured I was either walking out of there with the bodies of two recently slain gang members (age: 8 and 10) or twenty odd kilos of Colombia’s Most Stepped On.

AA esta cerrado... entonces?

I threw the bags in my trunk, turned on the ignition and held my breath until I was on the freeway again and west of La Cienega. I passed five cops, forty-two transients, three white chicks, fifteen ads for Mexico’s most flavorful beer and one apartment complex called The Rosa Parks Villas.

What did I do with the bags? Well, I did what anyone would with trash bags of unknown contents procured in South Central. I dropped them off at an elementary school in Encino.

(This is in no way an admission of guilt. Any bags found with cholito corpses are merely coincidental. Any bags full of contraband with a decent street-value may be returned to sender: 1825 Wilcox Ave. #1, Hollywood, CA 90028)

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FYF Fest 2012: The Definitive Guide

FRIDAY:

It’s a Lay Day. Go to school or work or that place where you spend your time while everyone else is at school or work. While you’re there, drink a lot of water. Good job. Now come home. Sit on the couch. Watch or re-watch the first season of “Homeland.”

So far so good. Do not go to the bar. Do not get drunk. Tomorrow will be a long day. Sit tight. Maybe have one beer. One beer never hurt anyone. Four beers later, decide you’re going to the bar. Just for one drink. A quiet pint.


You stay until last call. This was a bad decision. You’ll be worse for it tomorrow. Good thing you drank all that water today, right?

SATURDAY:

The first thing you’ll notice is your head hurts… badly. Probably has something to do with the half-dozen 2-4-1 whiskeys you put down. 2-4-1? Come to think of it, that means you had twelve drinks, not six. Suddenly the severity of your hangover will make a lot more sense. Good news is it’s Saturday.

FYF day #1. Jump out of bed. Or roll off. Don’t push yourself too hard. Loosen up. Maybe do a couple sun salutations. Maybe some jumping jacks. That’s it. Get the blood flowing. Look at the clock. 11:30 am. FUCK.

Get dressed. Resist the urge to wear what you might consider to be clever or funny. Dress like an adult. An adult who is about to spend the day drinking and watching bands play music that you love. Resist the urge to wear the “Suns Out Guns Out” tank top and then wear it anyway because you’re late and it’s going to be fucking hot and you’re still buzzed from last night.

Jump on the Metro. Jump off the metro. Run. Run as fast as you can because White Arrows are on at 12:30. Barely make it. Love every second of it. Have your first beer. Remark at how expensive it is. Should of smuggled in booze. Text friends to do just that.

The block that follows isn’t that inspiring. My advice? Just because there’s a lull doesn’t mean you should take it upon yourself to drink like you’re trying to kill yourself or join a fraternity. Wait to see who does the comedy set at 1:15 pm. Likely, it won’t be David Cross so you probably won’t go, but you will have a beer. Go see Soft Pack at 1:30 or drink some water. Apply some sunscreen. Don’t talk to girls with cowboy boots on or feathers in their hair.

2:30 If you’re here, you might as well see King Tuff.

3:30ish Now might be a good time to check out the comedy stage, but if it sucks, find yourself at AA Bondy or for old time’s sake Two Gallants.

4:30-6:20 It’s possible you like the bands that are playing this block. I don’t so I’ll be in the beergaarten with a neon wristband drinking everything because the heat will be unrelenting and the music is not my cup of bourbon. If you join me, we’ll speak with German accents, as we are in a beergaarten. 6:25 DJ Harvey or more beer. At this point, drop the German accent. No one thought it was funny.

6:55 Right about now you’re going to need to pump the brakes on the drinking and do some soul searching. Warpaint or Chromatics. As much as I dig Warpaint, unless they’re salting the rim of my beers with benzodiazepines, I’ll be at the Spring Street Stage watching Chromatics.

7:35-7:40 Run, beer in hand, back to see Tanlines at Broadway St.

8:10 Decisions, decisions. Well, you’re definitely leaving Tanlines early, but for which stage is the question. If it was 2010, I’d go to Sleigh Bells. If it was 2011, I’d elbow past small children and knock over senior citizens to see James Blake. Alas, it’s 2012 and I kind of love Purity Ring. I’ll probably see James Blake anyway. I don’t give a shit what you do.

9:25 M83 Bond with your peers. Sing your heart out. You’re trashed at this point. I repeat, you’re fucking hammered. Ease up on the pictures. You just instagrammed what you’ve tagged as #MidnightCity!!! but it’s just a picture of some dude’s ear and a lot of blurred lights.

10:40 Everyone wants to go home or to a bar, but what about Simian Mobile Disco? Stay. It’s only 50 minutes. Some of you may see The Growlers. I don’t disagree with that decision. I may join you.

SUNDAY:

Nobody said it was going to be easy. You took a lot of retarded pictures last night. And what’s this? You danced (if you want to call it that) with a girl who had a septum ring as big as a baseball dangling from her nose? How very, um, tribal of her… Guess you went with Purity Ring, huh? Have a Gatorade. Jesus, man, take a shower. Eat something. You really don’t have to rush. In fact, I don’t recommend getting there until the third block. You might be able to squeeze in brunch. Likely, your blood sugar is low and all you had yesterday was two hundred beers and an accidental veggie bratwurst.

Veggie bratwurst?

Yes, I’ll explain. Some guy in the port-a-potty line handed it to you for safe-keeping before he braved that plastic box of defecation. You took that veggie bratwurst and you ran. Then you peed on a tree like an animal. You don’t feel bad about any of it.

2:40 Nick Waterhouse. You might think you want to see Wild Nothing but you’d be wrong. Now there’s nothing wrong with Wild Nothing, it’s just you need to prioritize.

3:40 Father John Misty Ease into the afternoon. It’s Sunday. Have a beer. You had a long night. Hopefully no one punched you in the face and called you Nancy. If they did, you’re in the right place to talk about it.

4:30-7:45 Meh, maybe Cursive if you want to feel shitty about yourself and reminisce the early 2000s. Maybe Dinosaur Jr. Honestly, this might be a good time to take a nap or think about how exhausted and horrible and sunburned you’re going to feel tomorrow.

8:15 Rally boys and girls! Shotgun a beer! Find someone with smuggled liquor! This is the last hurrah! I’d start with Desaparecidos. Hope to get up front, catch three or four songs then head over to Health. Health is going out with more of a bang. So what if you’re way in the back? It’s four dudes and a MacBook Pro.

9:30 Yeasayer or Twin Shadow… Your friends will be divided over this. Fuck your friends. At this point you either feel like a million bucks or your liver is failing and you hate your life. With some hesitation, I say go with Yeasayer. If it’s not amazing, abandon ship. Sprint to Twin Shadow.

10:55 If you’re still here, you’re either

A.) Blacked out

B.) Sober and hating life

C.) In the medical tent

Or D.) maybe you like Gold Panda. That’s fine. I’ve seen them live. Would I do it at 11:00 o’clock on Day 2 of a festival when the next day is Monday? Um, no.

So who do you see? If you want to reminisce the days when cocaine sounded like a good idea, and dance like you’ve never heard of a 401k: Go see The Faint.

If you’re sticking around to see Beirut, I applaud you. Honestly, I do. He’s great. They should’ve scheduled him in the middle of the afternoon though, which is why I’m sprawled out on my floor eating pizza while you’re watching a guy play a flugel horn at 11 on a Sunday night.

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FLYING PIGS

There’s a bar just off of PCH where for $2 a bag you can throw peanut shells on the floor and drink Bud Light with millionaires. In front of this bar is a parking lot with a surf spot named after the drinking hole. In that parking lot I met Max Rose.

Max and I had spent the morning on adjacent peaks, trading mushy three-footers with every surfer from 24th street to Yorba Linda. In the parking lot, we stood side-by-side as the sun warmed our extremities. I drank coffee that was three hours old. Max’s Westfalia was adorned with two For Sale signs. There was a weathered parking ticket on his dashboard.

“It’s not true,” he said. “Despite what they say.” He had feathered brown hair and a beard that was streaked with gray.

“What’s that?”

“Pigs really can fly,” he nodded at a police helicopter as it flew overhead.

I laughed and he figured me for a kindred spirit. The two of us in front of our economical cars, surrounded by new S.U.V.s with stickers about deporting our terrorist, illegal alien, commie, Allah-worshiping commander-in-chief. Maybe we were.

“It’s the sound. I’ll never forget that sound,” he said.

“Oh yeah?”

“Shit yeah. It’s like those guys who went to Nam. They never forget what a military chopper sounds like.” He looked up at the sky. “I still cringe when I hear a flying pig.”

I nodded.

“I’ve been chased.” He stroked his beard. “In Texas too. A doctor’s son had a sports car—two seater that he didn’t want to pay for anymore—so I took his car. I took his Harley too.”

I slipped out of my neoprene suit and he moved closer. There was a tattoo of an indigenous woman on his forearm and whisky on his breath.

“He paid me and a friend of mine a hundred bucks. We took his car out to the middle of nowhere. Mind you, this was the early seventies. Such a thing existed. I was twenty-one, twenty-two years old. ”

We stared out at the Pacific and watched it heave and toss those fortunate enough to afford a morning beating.

“Went to a field next to a lake. This lake—hippies used to skinny dip in it. Nothing around. Just fields. We parked the car and covered it with gasoline. Fifteen pace circle around that sports car—a puddle of gas. Course we were stoned and drunk as hell at the time. I threw a match—biggest fire you’ve ever seen.”

Wildfires in California kill eight people and burn over one million acres every summer, but for the sake of conversation, I nodded. I understood these dramatic parking lot tactics. There are no lies in the parking lot. It’s a fact: the surf was better earlier. It was better before you got here.

“So I start kicking the Harley, trying get that thing started. I’m kicking and kicking it. A crazy old hillbilly walks out with a shot gun and he yells, ‘Everybody okay?’ So I tell him, ‘Just fine.’ Mind you there’s a fucking fire. So I look at my friend and I’m like ‘We gotta get the fuck outta here.’ We didn’t even know there were houses out there. I mean, there weren’t—except a couple. Real spread out. Anyway, I’m kicking and kicking the bike and I end up kicking off the carburetor!” His eyes light up.

I have no idea what a carburetor is and apparently it showed.

“It’s on the side of the bike. I kicked it right off.”

“Oh, man. Crazy.”

“So I kick off the carburetor and this hillybilly with a shotgun is coming at us and we hear fire engines screaming. I’m like, ‘They’re coming for us.’ And the hillbilly is like, ‘What’s going on out here?’ so I look at the hillbilly and I’m like, ‘Our friend’s down by the fire. We gotta check on him.’ So we ran. All night,” he pointed to the long-since vanished police helicopter, “they chased us. We ran through the woods in the pitch black. I threw up eleven times that night. Eleven.”

“Wow.”

“We had to get back to town. It was getting light. It wasn’t daybreak yet but it was close. We found the road. I say to my friend, ‘They’re looking for two guys so you hide in the bushes. If they get one of us. They get one of us but we gotta get back to town.’ So I stood on the side of the road, knowing that if a pig drove by, it was over. We were going to jail. Texas jail. This was outside of Austin. But what do you know?” He grinned.

I didn’t know.

“Long haired freak comes driving by. He pulls over and is like, ‘Where you headed?’ and I said town. He was just out in the middle of nowhere driving around. Can you believe that? I ran all night and some long haired freak, just going for a drive saves my ass!”

“Wild.”

“Doctor’s son turned himself in. Pussy.”

“Really?”

“He just had to pay for the car. Or his dad did. He was rich. He never turned us in though. He just said he met two guys at the bar and they did everything. Never mentioned our names.”

“So you made it out alive.”

“That time,” he said. We stared out and watched wave after wave as teenagers and baby boomers shoulder-hopped one another.

“I’m Max Rose by the way.” We shook hands.

He looked at me and I looked at him. I didn’t know if he was sizing me up or if long stares just come with functioning lunacy.

“You want some,” he said, throwing back a drink he did not have.

I’m no fool. A man tells you a criminal tale. He tells you his acid flashbacks come in the form of helicopter bladeslap, which are over one’s head about forty-seven times a day in Southern California. You tell the man, yes. Hell yes. But I did not say yes because I am, in fact, a fool.

“I would, but I’ve gotta drive.”

He did a quick survey of the parking lot in front of the surf spot named after the bar with peanut shells on the floor. “Well shit, we all gotta drive.”

And of course, he was right.

He opened the door of his beige Westfalia. It was lined with long boards, newspaper, and a pillow. He generously poured brown liquor into a coffee mug that read: Bienvenidos a Sinaloa!!!” The mug wasn’t exactly sanitary, but the stuff he poured looked strong enough to kill an elephant. I took a pull, passed it back, and he took a pull.

“I wish I didn’t have to go to work,” I said.

“You stay here long enough and you won’t have to.”

We stared over Priuses, late model SUVs, and power-walking moms at the ocean. Waves lapped in off of the jetty. I finished off the crusty mug of whisky

He eyed the empty mug then patted me on the back. “Move along soldier. I can take it from here.”

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Obstacle Allusions: A Pop-Up Gallery

Lately, I’ve been sowing the seeds for my first post-apocalypse gallery showing. The focus will be walls:

The Great Wall of China

The Berlin Wall

The White Picket Fence

The Barbed Wire Keeping L.A. Residents Away from City Hall

The show will focus on the forth-coming present, which I’ve recently christened: The Future-Present. It’s basically the opposite of everything anyone in pre-apocalyptic times ever did.

GREAT WALL: I’m no history buff, but from what I understand, if you died while building the Great Wall of China, they tossed your corpse in. It was sort of a scattering of ashes, only instead of drizzling cigarette butts into the Pacific, they tossed your rigor mortis ass in a hole and saved on concrete.

I’m a purist. I have a vision. I plan on having a few actors play dead Chinese scattered about my show. (In order to meet the SAG Ultra Low Budget guidelines I’ll most likely have to throw in some transgender Filipinos and a handful of black women) I know, I know, it’s not historically accurate but I’m not trying to be historically accurate. Mostly, I am concerned with being politically correct. Let there be black chicks. Let there be tan and hairless manginas. Maybe I’ll throw in a Hasidim. Who knows?)

ICH BIN EIN BERLINER: I am not afraid of being obvious. When it comes to the Berlin Wall, I shan’t go abstract. In fact, my approach is anti-abstract which I am tentatively calling Tangiblism.

My Tangiblist exhibit will consist of a David Hasselhoff mash-ups blasting from an Ipod hooked up to a Bose sound system that looks like the graffiti-marred wall. The system will also double as an espresso bar. (Standing room only. No wi-fi. ) As an austerity measure, Greeks will not be allowed entrance.

THE REAL HOUSEWIVES OF CALABASAS: The white picket fence will play on the classic American relationship between suburban housewives. One will be buckled over the fence. The other will be giving thy neighbor a proper ravishing. The neighbor manning the rear will be adorned with a decadent eight inches of ‘do unto thy neighbor as’… etc. Did you know Calabasas means pumpkin?

CROWN JEWEL OF SKID ROW: My exhibit will be a print-out of directions from the Valley and the Westside to City Hall (which is located in downtown.)

It’s not hard to miss. It’s one of four buildings downtown that hasn’t been lined with transients year-round since the mid-1970s. Maybe that’s because it’s wrapped in barbed wire. It’s conveniently located across the street from the LAPD headquarters, which is somewhat notable as it was built in 2009 for $440 million USD.

At the reception, everyone will be given a chance to speak, to respond, to criticize, to critique…

As long as you can prove one of your ancestors is buried in a wall in China.

I will jot meticulous notes, if you’ve driven David Hasselhoff to an AA meeting.

I will hang on your every word if there are attractive and promiscuous lesbians in your suburban neighborhood who blast their exploits via Instagram.

Lastly, upon my favorite masseuse’s grave, I swear to memorize everything you have to say about #Occupy once you’ve actually seen what you’ve been pontificating about since September.

Until then, I wait with bated breath for the wisdom that you may spew.

————————————————————————————————–

Obstacle Allusions is set to open shortly after the apocalypse. Currently, we’re in the funding stages of this project so we ask that you please donate whatever money you were planning to spend on gas, laser hair removal, imported beer, rhinoplasty, contraceptives, education, coffee, strippers, electricity, Italian flat leaf parsley, terrorism, champagne, manicures, Thai/Swedish hand jobs, and gruyere, to the “Arts”, namely ours.

Please donate soon! If we don’t raise $13.8 trillion by the apocalypse we won’t see a dime of your contributions.

Direct any questions to ExchangingPleasantries@gmail.com

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Mona Lisa Vs. Carey Mulligan

These chicks are in right now. Like #MonaLisa, #CarrieMulligan, #Louvre, #Drive, trending right now. Maybe Mona’s always trending, like Lady Gaga or weight loss secrets. Carrie on the other hand, I think she’ll have a rich future of trending until she’s at least twenty-nine. Maybe even thirty if she ages well. There’s something to be said for aging well. Look at Mona! Still in the limelight after all of these centuries!

I’ll admit it—Mona Lisa—I don’t get it. I never have. In my youth, I took a class on the subject and all I walked away with was the definition of ubiquitous eyes. Sure, she’s got those. Big deal. Nothing personal Mona, but you just don’t do much for me.

I’ve even seen you a couple times. Granted I didn’t get that close. I couldn’t. Between us there were a lot of Asians. Asians who were heavily armed with long lenses and wanted nothing more in the whole world than two hundred photos of you.

What’s the deal with that anyway? Why would anyone swarm like paparazzi to get a photo of a widely accessible painting? What’s the advantage? Mona wears the same shit everyday. The day you tote your camera to the Louvre isn’t going to miraculously be the day Mona shows up in a bathing suit. You’re not going to catch a “wardrobe malfunction.” And she’s not sliding out of a limo, so if you were hoping for a crotch-shot, your odds are slim.

I hate to disappoint you, but day in, day out, it’s the same drab Mona. She’s not a song and dance girl. No sir. What you see is what you get. Take it or leave it. A lot of people have taken it. I left it.

I didn’t get it so I split, but I’ve since returned. I elbowed through a sea of amateur photogs with phallic like lenses, which were seemingly attached to their faces. And these men, mostly men, they stop, stare. They gawk. We’ve all been there before—stopping and staring.

While were on the subject of gawking…

I saw Carey Mulligan last night—what do you think I was doing? Minding my own business? Checking my email? Listening to my friend’s story about getting a Boston Terrier? Hell no. I was drooling on myself in a dark bar on the corner of Selma and Wilcox.

Do I wish I had whipped out my phone and snapped a quick picture of her? Um, no. Why? Because the world wide web is full of images where she looks better than she did last night. And say for some reason, I was really into low quality pictures of hot chicks—why take one myself when surely there’s some half-night vision, half-POV sex tape of Carey Mulligan and a Portuguese Tuna Canning heir. Which no doubt, is readily available on the vast wasteland I’ve come to know as the internet.

This was the second time in a week Carey and I had been in this situation. Yours truly, drooling on myself, and her, blissfully unaware of my presence. Of course, the first time I was reclined at the Arclight and she was about sixteen feet tall. On the screen, she didn’t look that great. They put a lot of work into making her look shitty, which I’m sure was no easy task. They went with the obvious: ethnically ambiguous son, a criminal husband, a minimum wage job and an oily face.

As I do, I was in the theatre furiously taking notes. Be forewarned, I’m big into the suspension of disbelief. Naturally, I was deep in thought. My prompt: How does one convince Carey Mulligan that we should drive down the LA River whilst listening to synthy jams?

First, the obvious, get a toothpick. Second, get a thrift store jacket with a reptile on the back. After steps one and two, it becomes more complicated. You need to be handy. Under the hood, under the sink, Stanley Kowalski sweating-in-a-wifebeater-handy.

Grease is good. It’ll break down the physical barrier between the two of you when, inevitably after a long day of fixing something arcane, Carey Mulligan has to walk over to thank you. She’ll bring an ice-cold beer, which you’ll thank her for. You’ll take a long pull because you deserve it. Then she’ll laugh and you’ll smile, but you won’t know why. She’ll reach out to wipe the grease, which is perfectly smudged beneath your eye like some sort of relic of your handiwork. Shortly after you share this moment, you’ll consummate the relationship in the thinned-walled room next to where another man’s son sleeps. She’ll tell you to be quiet, but she won’t mean it. The kid will wake up to some greasy stranger nailing his mom through the headboard, but really—who cares?

I will admit Mulligan has certain advantages over La Gioconda. First and foremost, she has eyebrows. Mona, the eyebrowless wonder, looks like a cholita who left her Sharpie at home. Secondly, the hands. My god, have you seen Mona’s hands? They’re meaty and pallid, like two big dead fish slapped across her waist. Lastly, they say there’s something enigmatic about Mona’s look. I usually dig that, but when pitted against Carey Mulligan it becomes complicated. Why? On screen there’s almost nothing complicated about Mulligan. She plays the damsel in distress. She’s a throwback to an era before Beyonce’s anthems of independence. And as Irene, Mulligan is one misogynist’s loving portrayal of the perfect imperfect woman. Bravo, Nicholas. Bravo.

Carey Mulligan 1

Mona Lisa 0

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